Unfortunately, despite some powerful moments, Jeffrey Bouthiette and Rebekah Walendzak's "The Hecubae" falls into the trap of making every connection and parallel explicit, robbing the audience members of any chance to make discoveries for themselves.
The script shifts between two parallel stories—that of Euripides' play and a story set in a contemporary Internally Displaced Persons camp, apparently populated with refugees from several recent and current wars. The Greek story focuses on Hecuba, former queen of now-conquered Troy. She has lost almost all of her children, and when she finds that the two she has left have also been taken from her, her revenge is grisly. The scenes in the camp seem more a vehicle for stories taken from actual accounts of refugees. It's hard to find a central plot thread, and aside from the setting, it has little connection to Hecuba's story.
Bouthiette (who also directed) and Walendzak have mixed success in welding the stories together. Some sections have a blunt, harsh power, but more often the intended poetry falls flat. By far the best moments are when the women sing - suddenly, their situation comes to real, complex life, rather than resembling a lecture. The cast give a real sense of life to the characters and have created a powerful sense of ensemble, though none entirely escapes the production's limitations.
It is unquestionable that the plight of women in war zones is a horrible one, and any effort to give attention to that is laudable. Unfortunately, "The Hecubae" is far more successful as lecture than it is as theater.
The script shifts between two parallel stories—that of Euripides' play and a story set in a contemporary Internally Displaced Persons camp, apparently populated with refugees from several recent and current wars. The Greek story focuses on Hecuba, former queen of now-conquered Troy. She has lost almost all of her children, and when she finds that the two she has left have also been taken from her, her revenge is grisly. The scenes in the camp seem more a vehicle for stories taken from actual accounts of refugees. It's hard to find a central plot thread, and aside from the setting, it has little connection to Hecuba's story.
Bouthiette (who also directed) and Walendzak have mixed success in welding the stories together. Some sections have a blunt, harsh power, but more often the intended poetry falls flat. By far the best moments are when the women sing - suddenly, their situation comes to real, complex life, rather than resembling a lecture. The cast give a real sense of life to the characters and have created a powerful sense of ensemble, though none entirely escapes the production's limitations.
It is unquestionable that the plight of women in war zones is a horrible one, and any effort to give attention to that is laudable. Unfortunately, "The Hecubae" is far more successful as lecture than it is as theater.
No comments:
Post a Comment